A hand rose up,
Gliding along a crack.
Her eyes travelling up,
To find them staring back.
An empty brown.
Swirling in its own,
Reality.
And her hand left the mirror,
Halfway.
The distance from the reflection,
And her neck,
And she clasped,
The sides.
Feeling the warmth travel through.
But the coloured liquid,
Didn't change at all.
She woke with a start.
Couldn't see anything but the moonlight flittering,
Through the cracks of a broken window.
I see that number in your eye.
The spirals it's creating.
The chaos it's spreading.
The remnants of a dream still clinging to her conscious mind.
I can see your outline.
The shadows it's casting.
The darkness you're forming.
She flailed,
Wildly for a moment,
Losing her vision,
And in a flurry of movement,
Lost her balance.
Let me find a way around,
Nothing with me, my hands bound.
So she sat, on a soft carpet that felt,
As if it was absorbing her very being.
Hands dangling off raised knees,
Back against a cold bed,
Her head raised to high skies.
And then I'm awake.
Forcing my hands onto the sink.
The mirror shatters.
As the number falls through.
And with her eyes shut,
A breeze wafting past,
A crow in the distance,
The moonlight as her companion,
She falls asleep.
Let me find a way around,
So I may sleep and drown.
I command that you... Fall into the Abyss.


















I like so many of the images you're portraying in this piece. I like how there's a bit of confusion about when she's awake and when she's sleeping, super creepy.
I really want this line:
She flailed, wildly for a moment, losing her vision, and in a flurry of movement, lost her balance.
to be less prose. Rather than one long sentence, I think it would flow better and have a stronger punch if it had shorter, choppier lines.
The lines not in italics: I think it would show a bit more of the deterioration of the persona if they start long and flowing, and gradually become choppier, and more frantic.
The very last line: I don't think it's necessary, especially because of the poem's title. If you take it out, you really leave the reader hang with the impending doom of the poem's persona. I always feel the strongest poems end on an image, rather than a statement, leavings its readers with something concrete to remember it by.
Really great start. I think with just a bit of polishing it will be a really strong piece!!
Hmm, the parts which aren't in italics and the last sentence, I was going for a feeling that even with the deterioration taking place, there was still this thin line of sanity being held, somehow, signified by the girl falling asleep? That's why I'm a little reluctant to change it in that way, but if you think something else could help it along...?
I don't think you have far to go!!